Imagination, Navigation and Narration
Narration as a music on the stage continuously intervenes the motion of imagination and navigation as a waiter waiting next to imagination, keeps recordings of its reactions, findings and requests. In a circular pattern, navigation leads the choices of imagination and its requests for / by determining the music’s rhyme. It is arguably true that by greater precision in both narrators’ and characters’ involvement in processes will result in a more flexible and more adequate typology.
Possibility for imagination, to jumps to the narration’s place and begin to play its own music, does exist.
“Short stories are tiny windows into other worlds and other minds and dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner.”—Neil Gaiman, 1960