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Avant-garde

self-perception as providing instantaneous presence, shock, and perceptual rupture

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According to mocha frappe fortune I'm witch. Well, I respect the artist immensely. I wouldn't have drawn better if I had wanted.
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J-Fest 11
J-Fest 11 // Fire Night // Tansu Kayacık // Camera and Editting Bertha Bella Duygu Nas // Sundance Camp // Antalya // Türkiye // 2016
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J-Fest 11 // Games // Presented by Aslı Şahin and Andrea Fantauzzi // Thanks to all Participants // Camera and Editing by Bertha Bella Duygu Nas // 2016 // Sundance Camp // Antalya
  • 5 great things about working i… on Scott H Gilliland
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I like the smell of earth, the touch of waves and winds, the taste of berries, the sight of trees.
My Example
3Nation Imagination, Navigation and Narration Narration as a music on the stage continuously intervenes the motion of imagination and navigation as a waiter waiting next to imagination, keeps recordings of its reactions, findings and requests. In a circular pattern, navigation leads the choices of imagination and its requests for / by determining the music’s rhyme. It is arguably true that by greater precision in both narrators’ and characters’ involvement in processes will result in a more flexible and more adequate typology. Possibility for imagination, to jumps to the narration’s place and begin to play its own music, does exist. “Short stories are tiny windows into other worlds and other minds and dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner.”—Neil Gaiman, 1960
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