Tag: objectivity

Computing without Computers

Because computers are sensory deprived and physically limited there is new search to present computing without computers. Integrating the nanotechnology into the other tools and the environments is a popular trend of the day.

Technology transforms the unintelligent, static objects to mobile, intelligent, active forms. These artefacts are designed to record, categorise, and serve as reflecting personalised taste in return.

On the other hand, these technological artefacts are also in a relationship with each other.

 

9ity

Artificial Satellites

They are the nexus of many tasks. Weather prediction, navigation, broadcasting.

The first satellite in space was Sputnik 1 which means as a word fellow traveller was send in 1950 by Russians. After 7 years, the first biological spacecraft that called Sputnik 2 was sent by carrying a terrier female dog. By the following year, 1958, Sputnik 3 has taken its place in space as a first launched orbit. In the same year, 1958, America also started to launch the orbits. The satellite Score has become the world’s first communication satellite.

In 1960, several satellites were sent to space by Nasa. One of them was successfully acting as a passive reflector of microwave signals, communication signals were bounced off it from one point on Earth to another point. This was the satellite making the radio communication possible. Another one called Courier 1B could record messages from an earth station and rebroadcast them.

In 1962, while British and Canada sent their satellites into space, Telstar 1 has become the world’s first active communication satellite that makes the TV programs to be broadcast across the Atlantic.

In 1964, Italy became the fifth country to have artificial satellite. And following year French launched the Asterix. Also, same year first Soviet communication satellite Molniya launched.Germany sends its artificial satellite in 1969 just one year before the Japan and China.

Intelsat III counted as a significant one by enabling the live TV.

In 1974, Spain and Netherlands send the artificial satellites. Ans, which is was send by Netherlands was a space-based X-ray and ultraviolet telescope.

In 1975, India’s first artificial satellite was launch. The next year, Indonesian and 2 years later Czechoslovakian artificial satellites were launched.


“Nothing is harder to image than the past. It is imperative that all Landsat observations are archived and made available to users.”


Bound of Literature – Science fiction and Satellites 

Arthur C. Clark was the first known author who talks about artificial satellites before the satellites were sent to space. Clarke was a science writer, futurist and scuba diver. He was an avid populariser of space travel. Clarke contributed to the popularity of the idea that geostationary satellites would be ideal telecommunications relays.

 

Archive of the J-Fest

Digital Video Archive screen-shot-2016-11-18-at-19-26-48

In analytic philosophy, as Ernst (pg 184) mentioned, “the event represents an ontological being that is not a static object but a process”.  Festival as an event indicates a process. It can be represented in many different ways in a digital realm. It may be documentaries, or games, films or animations. However, Since digital archive’s flexible structure can deal with constant updates,  and it can grow over time with upcoming festivals/years, what is fittest for events ontology is the way of the digital archive.

screen-shot-2016-11-18-at-19-30-04

This archive exist to aggregate videos which belongs to past 10 years of the Turkish Juggling Convention J-Fest.
Archive consists of the videos that describe the sense of the festival more than any existing materials. Some of the videos are not very qualified or professionally recorded but the aim is to put the collection as a whole.

Spontaneity

As an example, the text of mine is written on computer day by day. As if there is no final version, always open to rewrite, but at the same time every time presenting itself as an end; final version. Much like the organic entity. Usually what is common with text is not to publish it till you get the final version. In this case, by digital writing one publishing online, the authoritative quality of printed version which is also related with the aura is violated.

This also conveys the impression of digitally born data practice that refers to electronic mathematical data in which abstract visual and linguistic elements coincide and are circulated. There is no reference to an observer in a “real” optically perceive the world anymore. The data has to extract from the computer rather than inserting from the physical outside world.

Above all, as a behavioural change in a large scale, publishing online at an instant moment means so much. And it is explicitly much more like the face to face communication.

Video

According to the Video theory, which is written by Andreas Treske, media technologies require us to navigate through the world of meaning, into images that make our memories. These timeless or time thickened images change the atmosphere, take us to the ground zero feeling. “We are immersing in video atmospheres”, says Treske. Videos as forms of realness give us a new space under the different light in time. Inevitably, video becomes atmospheric. Collectively produced sphere consist of many space that mirrors the subjectivity of the user and determines the user’s interaction with society. Video spreads meaningful acts around the network, inhabited spaces, and environments. According to Treske, our imagination helps us to avoid to become dizzy and create a whole video out of the fragmented clips. Therefore, our imagination will determine our future more than ever in the history.

The beauty of video, says Treske comes from the uncontrolled and unstructured nature of it; it does not underlie a system of narrative dictatorship.


Digital Compassion with online video


Compression

Multimedia is not solely for human eyes. Undetachable loss for human eye might be detect by machines easily and might cause a salient error.

Cameras

cameye

Overall, camera movements and positions effect the contemporary people’s impression of speed.

Our relationship with technology is constantly evolving. Perhaps, the human enhancements will be the common culture in next decade. While the earliest cameras were room-sized, at the place we have arrived, quite rare and expensive implantation does not only give the blind people ability to see but also creates a supervision by enhancing the visual capacity. Although these prosthetic eyes are so much like belonging the science fiction novels, they are practically possible and also can be considered as a winning of a man via its creation of artefacts. Of course, they are still an appendage of older technologies but very different at the same time. Just like the Renaissance and Postmodernism. Camera Obscura as a first device, which uses a pinhole to project an image of the scene outside upside-down onto a viewing surface, possibly dating back to the ancient times. However, the first known product The ‘Kodak’ camera was developed by George Eastman and it sold in 1888. It was simple box camera with a single shutter speed and fixed focus lens. The first commercial DSLR (digital single lens reflex) was also launched by Kodak, after about hundred years later, in 1991.


Ernst writes: “With the emergence of photography, the idea of the theatrical gaze literally staging the past is displaced by the cold mechanical eye, a technologically neutral code rather than a subjective discourse.” Photography (writing with light) and film after capturing the actual events, animated the scene that usually belongs to the past. But, photography has been already absorbed by digital image technologies. It’s more than possible to achieve photorealistic visuals. The new images not only about the reproducing the existing reality but also about giving imaginative meaning the concepts. The risky situation of creating meaningless concepts always challenge the new way of image making.

The Database Logic

By the advent of camera and computing, historical data; which is in symbolic order by alphabetic symbols enhances its quality with  photography; which belongs to physical real. These epistemological enhancements changed the way of perception as well requirements of organisation, categorization and access of the data.

The database is a structured data for managing, processing and accessing. The ultimate goal of the database is having an organised information and retaining the comprehensiveness of recording result of the specified data. All of the media objects inherently interface of the database while some of them comprise structural  construction of the database logic.

“Perhaps, “Man with a Movie Camera” is an example of a database imagination in modern media art. Man with a Movie Camera is not only a database of the city in the 1920s according to Manovich, “a database of film techniques, and a database of new operations of visual epistemology, but also a database of new interface operations that together aim to go beyond simple human navigation through physical space.” (Manovich, 2001)

But the main database is a word comes with computers. By their talent in the calculation, computers are intrinsically available for various database operations.

The computer age brought with it a new cultural algorithm: reality->media->data->database. (Monavich, 2001)

The database supports both the pure database form and the narration. One of the  arguments of Manovich claims that the logic of the database replaces that of the narrative in digital media.

Much like Maravich Ernst also affirm the similar ideas that dominant model for organising information and structural tradition of Aristotle has begun to destroy with new media. By emphasising the centrality of temporality, there might be a change for the long term read only memory ROM with RAM random access memories. The archive is much more dynamic, transformative and productive in terms of history just like the organic memory, not in rest in the fixed position, always shifts with other factors. According to Ernst, there is a shift through micro-temporal approach refers to archives in motion. This transformation is not much about the human activity rather it is much about technological amelioration.

Once things are being digitalised, you can analyse every bit and this allows to investigate and navigate in them.


Data mining as a result of big data on the digital environments

Libraries: 

Locus of copying.

“The math is simple: one byte = one typed alphabetic character. One page of text contains about 2.000characters, so one million bytes, aka one megabyte (MB) would hold about 500 pages of text data. Most books are much less than 500 pages. … If the average length of a book is 350 pages,then the whole of the Library of the Congress would fit in less space. If the average length of a book is 250 pages, it would fit on an 18 TB drive with little room to spare.”

Gutenberg Project founded in 1971 is the oldest online library.